We began our discussion with our picture book, Curve & Flow: The Elegant Vision of L.A. Architect Paul R. Williams by Andrea J. Loney. We all agreed that the digitally created illustrations by Keith Mallett were stunning and elegant, and that it was a very good pairing of artist and author. We felt that the issue of race, as African-American architect Paul Williams was confronted with many challenges -- 'walls' of discrimination that he had to conquer -- was treated with grace and delicacy, while clearly providing the necessary message to readers. We mostly liked the exposition and language of the text, except for a couple of readers who felt that the use of "But" at the beginning of several sentences was excessive. We also questioned the title "Curve & Flow," which was also repeated extensively as Williams' story was told, since -- other than the iconic Theme Building at Los Angeles International Airport, which IS 'curvy' and 'flowy' -- the majority of Williams other architectural creations are quite linear. We thought this might be misleading for young readers. We thought it was a definite plus that this book covered Williams' entire life, which is very rare for even a 44-page picture book bio, since his early life with a loving family who adopted him after both parents died from lung-related illnesses was as important to who he became as were his later degrees and experiences. We wholeheartedly approved of the excellent Back Matter, which included an author's note, an extensive timeline, a list of sources, and photos of several Williams buildings. We all agreed that it was important that this book about a Los Angeles notable (for a change!) is out in the world, and that it would be a great read for all kids -- probably 3rd grade and above -- a definite inspiration for young Black readers, as well as an excellent example for all of persevering one's dream.
We had a great discussion about humor after reading our novel, Clementine by Sara Pennypacker, illustrated by Marla Frazee. All but one of us loved it for a variety of reasons, but one reader -- not so much. She thought it was thin, boring, lacked richness, somewhat colloquial, and not so funny. She felt that although it would probably serve to get kids into reading 'longer' books, she preferred books with role models who weren't always getting into trouble through their actions. Others of us loved the book entirely. We thought it was a well-edited, heartwarming, reassuring, tightly written book without a wasted word, and that Marla Frazee's lively black ink drawings worked perfectly with the text. We thought the vivid details of Clementine's narrative of her 8-year-old daily life were entertaining, and several of us were reminded of female heroines from books of earlier times like Eloise and Ramona Quimby. We loved the way Clementine's arty, energetic parents honored her 'out-of-the-box' way of looking at the world, as they surrounded her with love. We came to the conclusion that each reader has a different conception of what is actually funny; it can depend on age, culture, life experiences, and view of the world. We felt that Pennypacker really knows her audience of young readers, and that -- given the book's popularity -- they are eating it up.
